The Brutalist

How does a three-hour and 35-minute movie about the birth of an architectural style grab you for an evening’s slice of entertainment? Before you say absolutely not, then think again. The Brutalist, one of the main front-runners for this year’s Oscars, is an epic drama that is so deep with topics, so impressive in the…

Babygirl

You can tell that the holiday family movies have been replaced by award-longing films when the opening week of January has proven with Nosferatu, We Live in Time and A Real Pain. Now we have Babygirl, a movie that has had a lot of word of mouth, mainly because of the subject matter of S&M….

A Real Pain

Last week, we had We Live in Time, which worked thanks to the electric chemistry between the film’s leads, Andrew Garfield and Florence Pugh. This week, another film that relies on perfect chemistry between the leads but in very different ways. Jesse Eisenberg’s A Real Pain is a comedy-drama focusing on cousins on a journey…

We Live In Time

Romance dramas are complicated to pull off. You need actors who seem to have genuine chemistry. You need a script that is powerful and heartwarming and, at the same time, manages to stay clear of being too sentimental. You also need a director who can balance the touching with the heartbreaking without making it too…

Nosferatu

Roger Eggers is one of the most exciting directors of recent years. His films are unique in both tone and visuals. Whether it be the creepy The Witch, the strange The Lighthouse or even the disappointing The Northman, he brought something unique to the screen. Now, his passion project has hit the screen to start…

Better Man

Imagine the scene. You have decided to make a film about the early life and career of Robbie Williams. You are pitching the idea of the troubled singer to studio executives, and you are going through the motions of the story, but you leave the most critical part till last. You don’t want Robbie to…

Mufasa: The Lion King

In 2019, we had the unnecessary live-action/computer-generated version of Disney’s massive hit, The Lion King. A remake that wasn’t asked for. Now we get Mufasa: The Lion King, a prequel to the 2019 film that, once again, no one seemed to ask for. Disney isn’t using the title as a cash cow, are they? On…

Kraven The Hunter

When Marvel Studios found their brand was dropping in quality, they decided to halt productions and take stock of how to get back on track. This is why this year saw only one release, Deadpool and Wolverine, which was a winner. On the other hand, Sony Pictures, which owns the rights to the Spider-Man universe,…

Red One

I will admit it: I’m not a fan of Christmas movies. It’s always been an issue for me to find the balance between sentimentality and schmaltz. It’s a Wonderful Life is a giant in the genre, as is Die Hard, Elf and a small handful of others. The rest seem lazy, trite, or even apparent…

Conclave

When you look at Conclave on paper, you wouldn’t think it was the most exciting movie idea for mainstream audiences. A film about the voting for a new Pope. At first, it looks like something that arthouse cinemas would thrive on. However, this is not what you think. Yes, it’s about voting for a new…

Moana 2

Disney’s Moana was the surprise hit that no one saw coming. A delightful and impressive tale set in ancient Polynesia with a strong female lead who wasn’t a princess, taking on an incredible journey with a demi-god. While the film was an enormous cinema success, it found its audience on the streaming service Disney+. We…

Wicked

I didn’t get it when I saw Wicked in the West when it first opened. I thought as a show, the songs were great, but it had been massively hyped up. I went again a few years later and understood it better, but I still wasn’t impressed. So entering the cinema for the first part…